Ferdie Pacheco|Bilotta Gallery

Intensely tinted items are abstract conceptions reflective of abundant life experiences.

Ferdie Pacheco was born in Tampa florida, Florida on December 8, 1927 with deep ancestral roots in Spain. As a painter, his imaginative use design and color in addition to his hostile use of dazzling, slashing, vibrant patterns exhibit a sense of strength revealing the bold, gutsy, individual statements of a male who has actually immersed himself totally in life. Pacheco has the unusual capability to transfer these experiences onto canvas via extreme color and brushstrokes. His skills earned him the Gold Medal and Very First Reward in Tonneins, France: the First Reward, Best Colorist at Musee Du Luxembourg. Ferdie Pacheco, MD has been called a Renaissance guy as a result of his prolific career. He has actually succeeded as a pharmacologist, clinical physician, Battle Doctor in boxing, including working as a corner man for twelve world champions, including Muhammad Ali for seventeen years.

He likewise worked as a boxing analyst for NBC, Outset and Univision, winning 2 Emmys. Throughout this time around he was the Boxing Expert for NBC for ten years. He is relinquished relaying after getting on for 25 years. He has had 14 publications published, and also created write-ups, columns, reviews for a number of the significant newspapers in America.

Like various other exceptionally creative people, Pacheco showed precocity in childhood where he began drawing as well as painting at the age of five. His imaginative capacities proceeded through teenage years. At the age of fourteen, Pacheco realized that he wanted to become a doctor and also started assisting in surgical treatment. His enthusiasm for the arts proceeded via his health care training as his cartooning funded his medical education. Via medication, he studied the human kind, which in return provided his art physiological honesty. His themes were influenced by art-historical influences-specifically Vincent Van Gogh; Mexican musicians: Tamayo and Diego Rivera and Rufino Tamayo; German musicians: George Grosz and Oscar Kokoscka, as well as American artists: Thomas Hart Benton and also Fletcher Martin.

Pacheco knew little Havana method before the retro-Cuban wave. As a young medical professional, transplanted from his indigenous Ybor City in Tampa, he established his practice on South West Eighth Street the year the very early Cuban exiles began streaming into the city. In their stories, he discovered mirrors of his very own household’s immigrant origins, as his papa was the Cuban-born kid of a Spanish consul on the island. These are tales that would certainly equip his repertoire of detail-laden, human narratives as well as inspire dashes of shades that he would certainly transfer onto canvas.

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José Emilio Pacheco|Mexican writer

José Emilio Pacheco, (born June 30, 1939, Mexico City, Mexico– passed away January 26, 2014, Mexico City ), Mexican movie critic, writer, short-story writer, translator, and also poet. Early in his job he created knowledgeable that utilized surrealist and also symbolic imagery to address such hot-topic problems as pollution, poverty, and also federal government administration, yet later he adopted a less complex, much more forthright approach that enhanced his concept of history as a cyclic series of occasions that continue to haunt humankind. His canon of job was awarded with the 2009 Cervantes Prize, the greatest distinction in Spanish letters.

Geoffrey Chaucer (c. 1342/43-1400), English poet; portrait from an early 15th century manuscript of the poem, De regimine principum.

Britannica Quiz The ABCs of Verse: Reality or Fiction? Are prose as well as verse the same? Do narrative poems have a tendency to be extremely short? Evaluate the lengthy and short of your poetic understanding in this test.

Pacheco was informed at the National Autonomous College of Mexico. He created a number of plays there that were never produced, as well as he edited (1957– 58) the literary supplement of the evaluation Estaciones. His first released job, a collection of narratives– La sangre de Medusa (1958; “The Blood of Medusa”)– reveals the impact of Jorge Luis Borges. Los elementos de la noche (1963; “The Aspects of the Evening”) is a collection of his poems and also essays published in regulars from 1958 to 1962. The rhymes of El reposo del fuego (1966; “The Rest of the Fire”) contemplate a world in fragmentation, as well as the novel Morirás lejos (1967; “You Will Certainly Die Far”) files the purges of Jews throughout background. No me preguntes cómo pasa el tiempo (1969; Don’t Ask Me Just How the Time Passes) consists of rhymes in which there is a classic wish to relive the past, occasionally combined with a fine feeling of paradox. The narratives in El principio del second (1972; “The Satisfaction Concept”) are united by the frequent motif of suffering. In the rhymes of Islas a la deriva (1976; “Islands Adrift”), Pacheco reinterpreted background and mythology.Pacheco’s later publications consist of Ayer es nunca jamás(1978;”Yesterday Is Never”), Desde entonces: poemas 1975– 1978(1980;”Ever since: Poems 1975– 1978″), Tarde o temprano(1980;”One way or another “), Ciudad de la memoria: poemas 1986– 1989(1989 ;”City of Memory: Rhymes 1986– 1989″), La sector errante: poemas 1992– 1998(1999 ;”The Moving Sands: Poems 1992– 1998), as well as Siglo pasado(desenlace): poemas 1999– 2000 (2000; “Century of the Past(Denouement): Rhymes 1999– 2000″). His works in English translation include Tree In between Two Walls(1969), The Lost Homeland (1976), and also Signals from the Flames (1980). He also edited La poesía mexicana de siglo XIX (1965)and also Antología del Modernismo, 1884– 1921(1978 ). Resource

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Unos 130 agentes de la Policía Local velarán por la seguridad durante el Carnaval de Cádiz

El Ayuntamiento de Cádiz ha acogido la reunión de la Junta Local de Seguridad a la que han asistido el alcalde de Cádiz, José María González, el concejal de Seguridad, David Navarro, la concejala de Fiestas, María Romay, el subdelegado de Gobierno en Cádiz, José Pacheco, junto a responsables de la Policía Local, Policía Nacional y Guardia Civil.

En esta Junta Local de Seguridad se ha dado cuenta de que unos 130 agentes de la Policía Local, divididos en tres turnos, formarán el dispositivo para los dos fines de semana del Carnaval y el lunes 4 de marzo. Desde la Delegación de Policía Local se han coordinado y mantenido reuniones con distintos departamentos y organismos con el objetivo de ofrecer el mejor servicio posible tanto a la ciudadanía de Cádiz como al público visitante.

El dispositivo contiene algunas novedades respecto a las ediciones anteriores con repercusión en el tráfico o en la seguridad y que están motivadas por los nuevos eventos de la programación que se anunciarán en los próximos días.

También habrá un dispositivo específico de cara al aparcamiento de autobuses en la Terminal de Contenedores dentro del Muelle Reina Sofía hasta completar aforo así como en los terrenos de Aeronáutica.

Otra de las novedades es la utilización del carril bici de la Avenida de Astilleros como un tercer carril para turismos y ciclomotores el domingo 3 de marzo desde las 10.00 hasta las 15.00 horas, dejando el carril central solo para transporte público, vehículos de emergencias y camiones, apostando así por el transporte público que en las horas de mayor densidad del tráfico, podrán realizar traslados muchos más rápidos que el resto de usuarios de la vía.

SP House by Gonçalo Duarte Pacheco – Archiscene

SP House by Gonçalo Duarte Pacheco

Gonçalo Duarte Pacheco designed this stunning private residence located in Salir do Porto, Portugal, in 2018. Take a look at the complete story after the jump.

From the architects: The House SP is located in the urban area of the small village of Salir do Porto, 2km away from the mesmerizing Bay of São Martinho do Porto. It sits on the fringe between the urban area that defines the village and the orchards to the south.

The project’s site is spread across a sloped field with a height difference of three meters. Our main intention was to keep the terrain as it is, solved by dividing the house into two levels and, consequently, into four volumes (one on the upper level and three on the lower level). Defined by the shape and position of the lower volumes, two exterior living areas incorporate the swimming pool on the south side, and a pre-existing artisan well on the north side.

This intention to keep the slope necessitated a unique entry, resolved by a bridge providing access from the street directly to the upper level. This is the main level of the house, with living room and kitchen connected to the landscape by a terrace.

On the lower level, the bedrooms, second living room and garage create an intimate relation between the interior and exterior living spaces. This relation is highlighted in two other areas of the house, where two zenith lights enphatize and illuminate the main stairs and the north patio.

Photography by Gonçalo Duarte Pacheco

Find more projects by Gonçalo Duarte Pacheco: www.goncaloduartepacheco.pt

Taking notes effectively – Raul Pacheco-Vega, PhD

hand writingI can’t claim that I take excellent notes, but I like them, I use them, and I can at least say that, ever since I was in grade school, my classmates wanted to copy my notes. For me, they were, and continue to be, a source of pride. I always wanted to be the one having the best notes of my entire cohort. I took handwriting lessons, and I observed how other people wrote so that my own handwriting became neater and prettier. When I studied chemical engineering as an undergraduate, I drew distillation towers and reactors using different color pens, and solved all my partial differential equations using mechanical pencil, all the while underlining or boxing results with red ink. I love handwritten notes. Through the years, I’ve continued to feel proud about my notes, and my note-taking ability. Sometimes, it weirds me out when a few of my own students don’t take notes, to be perfectly honest.

There is a lot of discussion in the educational technology community about whether we should let students take noteson a laptop or whether they learn better writing by hand or not, about how challenging it would be for some students with learning and cognitive issues — and this IS an important issue to consider, particularly those for whom handwriting isn’t possible because of disability issues, etc. I am not going to engage with that discussion because I don’t study this field and I have absolutely no scientific answer for that – Mueller and Oppenheimer 2014 do provide some scientific evidence. I do believe my students sometimes need laptops, but a portion of the time it creates opportunities for distraction – but that’s not the point of this particular post.

I always assume that when my students don’t take notes it is because they are paying attention to the material I am delivering (I prefer to trust my students than to doubt them). I used to give out printed copies of my Power Point slides (which I don’t do anymore) so that my students could write on the margins (Power Point has a printing feature that shows the slide and provides space to the right, where you can jot thoughts and commentary.

Since I don’t actually do research on how to take notes, I started looking for material, and researching it, and found a lot of conflicting advice. I shared my concern and received a very relevant response by Dr. Pat Thomson, someone I respect a lot on the topic of academic writing (and learning, in general).

@raulpacheco don’t forget that for some of us academic writing IS our research area… We speak about writing as you speak about water…

— pat thomson (@ThomsonPat) September 15, 2016

Some of the advice I read may be grounded on scholarly research, as Pat makes a good point, but other pointers in those websites seem to be simple heuristics turned into God-given advice. Though I have to admit I love The Conversation, which is an online magazine reporting on issues, but based on academic research. Claire Brown’s post on note-taking hit home with me. She teaches the Cornell method for note-taking (which I have tested but decided not to continue using), and it seems effective.

There are a few things I have noticed about my own notes that I think help me think better.

1. I always note the date. This helps me link what I taught or listened to to a specific date. I find that despite the neat organization system that my Everything Notebook provides me, I need to understand material in a sequential, time-wise manner.

2. I always use colours. This is obviously hard for people who are colour-blind, but I have noted that using different colours helps me retain better. In particular, I note the topic or main theme in red ink, and then I use markers (asterisks, bullet points, arrows) to denote specific, important points.

3. I *always* take notes of everything, wherever I am and whatever I am doing. This is also funny for a lot of people. I see people at academic seminars, in class, or during faculty meetings who don’t bring a notebook with them. I trust my memory, but I trust my notes even more.

Mind mapping - note-taking4. I use shorthand techniques to make my writing faster. When I was a child, I always thought of which tools and techniques I could “sell” (I wanted to be able to work and sustain myself even if my parents were no longer with me). So, I learned shorthand techniques (Gregg and Pitman), which were secretarial (administrative assistant) skills. I no longer write full sets of notes using Gregg shorthand, but I DO use some of their symbols. Also, I use abbreviations that make sense to me, like “w/” to mean “with”, “WRT” to mean “with respect to”, etc. I also use arrows, bubbles, boxes and stars to build mind maps (more on that topic in a future blog post). Something people ask me often is if I take notes of journal articles, books and book chapters that I read. Doing so would seem repetitious and a waste of time for some people. Generally speaking, I scribble on the margins when I highlight a paper, and then I write a memo on it (directly in my computer).

However, there are places where I read or take notes where I can’t use my laptop (e.g. when I’m waiting for my orthodontist to finish her appointment before mine). Thus, I do write notes about specific articles (see below for an example).

The one thing I can surmise from all the reading I did for this post is – taking notes does require you to engage with the material and absorb it in a much more profound fashion (what my friend Dr. Daniel Goldberg indicated is metacognition), and thus there is a lot of value in note-taking.

Nathan Pacheco songs, video clips, stats, and photos

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YMA Presents 8th Children, Youth & Media Conference in Toronto | Animation Magazine

The Youth Media Alliance (YMA) presents the eighth edition of the Children, Youth & Media conference on November 6-8 in Toronto. Youth media production professionals will be exploring some very special topics such as discoverability, the 6-12 age group target, co-viewing hit-shows, a workshop on diversity and inclusion as well as meetings with international guests and broadcasters.

Highlights of the conference schedule include:

Discoverability 2.0. With even more choice online and on air than ever before, how do content creators make sure kids are discovering their shows? Is there a “secret sauce”? Experts explore and discuss how creators and producers are getting their content “found” and “followed.” Panel discussion moderated by Michelle Melanson (Headspinner Productions) with guests Carlos Pacheco (Truly Inc.), Lori Mather (Co-Creator/Showrunner, Find Me in Paris) and Brandon Lane (Producer/Director, Miss Persona).

Ruling the Middle Kingdom. Six- to 12-year olds have aged out of preschool content, but there’s little made just for them. They’re hard to target with content because at this age, interests and passions diverge and fragment. They’re outgrowing tablets but only just getting a smartphone. They often lose the TV remote to little siblings during the day and parents at night. So, it’s a challenge for video, game, app and product makers to connect with them at scale. There’s a gap to be filled, but one must understand the age group’s changing needs, beliefs and passions. The payoff: The “middle kingdom” is establishing long-term brand and content preferences, and love to share their favorites with their peers. Special presentation by Adam Woodgate (Senior Research Manager) and David Kleeman (SVP Global Trends) both from Dubit International.

The Goldfish Bowl. Youth & kids’ content creators are invited to take part in this pitching session in front of international buyers who will ask questions and offer feedback. Guests from Amazon, PBS Kids and Disney will join Peter Moss, who will be the host of this special presentation.

Additional guest speakers and topics will include: Marie McCann (CBC Kids), Marney Malabar (TVOKids), Monika Ille (APTN), Hélène Archambault (Télé-Québec) and TFO. Frank Falcone (Guru Studio) will host a discussion about the rapidly-evolving market and how to enter the content space in Canada. CYMC will talk about co-viewing hit-shows with Sarah Haasz and discover what kids like in exclusive kids interview clips captured from Newfoundland to Vancouver.

Dates to Remember:

Early bird rate (-15%) ends on October 25. Tickets will be on sale until Friday, Nov. 1. Register using the YMA intranet.

Children, Youth & Media Conference

Frank Falcone

Johnny Pacheco | Biography, Albums, Streaming Links

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